作者：Roland Barthes 著
“The dominant perspective of the thirteen essays collected in Image/Music/Text is semiology.Barthes extends the ‘empire of signs’ over film and photography, music critism…and writing and reading as historically situated activities. Several essays are frankly didactic. They review and expand the domain of a certain terminology: interpretive codes, narrational systems, functions and indices, denotation and connotation. Yet those impatient with special terms will not mind too much, for where else do they get, under the same cover, Beethoven and ‘Goldfinger, ‘the Bible and ‘Double Bang à Bangkok’?...Barthes is technical without being heavy, and a professional without ceasing to be an amateur. His precise yet fluent prose treats personal insight and systematic concepts with equal courtesy.”
| 館藏地 | 2樓電梯兩側暢銷/主題書展區 |
| 索書號 | PN37 B284i 1978 |
| 我要預約 |
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